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traditional wisdom, for scholar gentlemen following revered ancients in harmony with the forces of nature. The Chinese thus white black and yellow jordans saw their painters as inspired practitioners of the art of living, which included two artistic skills higher than painting-calligraphy and poetry. The Taoist current in Chinese thought set man the task of seeking unity with nature and the cosmos, to abdicate the selfin harmony with "nonbe- ing." Pursuing the way, the pink and white jordan fusion painter had his task, his subject, and even his materials prescribed for him. Only the man educated in using the brush for writing would be qualified to use the brush for painting. It is not surprising, then, that in China sculpture (which involved physicallabor and so was not for gentlemen) was not considered a fine art. The history of Chinese painting did not produce precocious Giottos or maverick Picassos. Many of the great masters white pink orange green jordan 7's distinguished themselves first as government officials, as scholars or poets, and often were noted calligra- phers. And as the arts of calligraphy and painting developed, these arts prescribed the discipline to assure a calm mind, a cultivated memory. All the scholar's activities were acts of reverence for nature, or as a metaphor for the nobility of man. The rules of ceremony, the Ancient Book of Rites declared, while they "have their origin in heaven, the movement of them reaches to earth. The distribution of them extends to og chicago 2s jordan all the business oflife." All acts of community and the individual should be acts of reverence and sacrifice (in the sense of making an offering or obeisance). While the Sung dynasty (960-1279) saw some of the best of Chinese realistic and representational painting, it also saw the rise of painters in an emphatically Taoist spirit. For them landscape, a literary subject, domi- nated at first because of the traditional association of the hermit scholar with wild scenery, as well as the symbolism of pine trees, bamboo, rocks, mountains, and running water. The painter was not expected to seek the most beautiful vantage point and remain there to reproduce what he saw