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Despite his prodigious industry Prescott considered himselfindolent. To womens jordan flight 45 white/ pink or black/pink keep his writing on schedule he made playful bets with himself or his secretary. On one occasion he promised his favorite reader-secretary, James English, the sum of one thousand dollars if he did not finish his next stint of pages on time. "39 pages in 15 days," he boasted in Boston as he was writing about Cortes's advance in Mexico, "not bad for the giddy town where I have been spinning about in dances and dinners, plus quam suf. " Though Prescott has been called the nation's first "scientific historian" for his use of manuscript sources, he would live on as a creator ofliterature."The Conquest of Mexico" Prescott called "the greatest miracle in an age of miracles. . . . It is, without doubt, the most poetic subject ever offered to the pen of the historian." The natural development of the story . . . is precisely what would be prescribed by the severest rules of art. The conquest of the country is the great end always in view of the reader. From the first landing of the Spaniards on the soil, their subsequent adventures, their battles and negotiations, their ruinous retreat, their rally and final siege, all tend to this grand result till the long series of events is closed by the downfall of the capital. . . . It pink jordan shoes is a magnificent epic, in which the unity of interest is complete. And one of his greatest feats as a "scientific" historian, was to depict the nike air ltd all black scenes of his drama so vividly without ever having been there-for he never visited Spain, Mexico, or Peru. The grey and purple nike enduring interest in Prescott's Conquest of Mexico comes less from his engaging survey of Aztec civilization than from his genius for the epic. Hernando Cortes, "his enlightened spirit and his comprehensive and versa- tile genius," dominates the book in a bitter-end contest with his noble antagonist the "barbarian" emperor Montezuma. The better we know the wealth and weaknesses of the Aztec emperor the more poignant is his downfall. The grandeur and elegance of the Aztec monuments offer ironic contrast to the horrors of cannibal savagery. Prescott awes us by this unlikely combination of "refinement" with "the extreme ofbarbarism." The saga of the "knight-errant" Cortes follows his triumphal march to Mexico City, his residence there, receiving the allegiance and treasure of Mon- tezuma, his expulsion by the fury of the Mexicans, his retreat, his triumphal return and siege, overcoming famine and conspiracy in his own camp, and